It's best to keep the wig in the hair net included in the package. You can also use wig tape to keep it extra secure! HOW DO I CARE FOR MY WIG? Adjust until it feels comfortable and start pinning it discreetly. Now to put on the wig: straighten it out, place the front hairline flush with your own and slip it on from there. Slip on a wig cap to help give the wig traction and tame flyaways.
If you have longer hair, braid it as close to your head as possible and pin it up. If you have short hair above shoulder length, simply spray and pin back your hair. They're a favourite of drag queens and drag performers, you may even have seen a wig or two on Drag Race! Some of their most popular styles include the Farrah, Uptown Girl, Bella, Yaki and Peek-A-Boo ranges which come in a wide variety of shades. Rockstar Wigs are loved by cosplayers as they're so easy to style, last many years and travel well. In addition to traditional wigs, Rockstar also offers lace front styles to ensure a seamless finish. This means that they're not only perfect for parties, fancy dress and costumes, but they're fantastic for completing any Lolita, retro, pin-up and rockabilly outfit. Rockstar Wig styles come in a wide variety of natural shades, pastel tints and rainbow colours at different lengths including bob, shoulder-length, waist length and even cropped in straight, wavy and curly finishes. 9-1-1! is a lot of fun, with a flavor only Encore can bring to the stage.When you're not brave enough to change your hair with dye or a haircut, wigs are the perfect way to change up your look! Rockstar Wigs are famous for their high quality yet affordable wigs, all of which are suitable for heat styling and made to last so you can create big teased & unique looks for years to come. The show is broken up by a 15-minute intermission after the second play, and there is some adult language. In this story inspired by one of her own experiences, Alsum was lively and witty and sharp, and all three firemen - but particularly Morey Burnard's - were great. Three hunky firefighters arrive, but unfortunately, it's not as simple as just lifting her out of her wheelchair. Stranded at home without her aide to help her go to the bathroom and get into bed, Connie Alsum is eventually able to convince an operator to send help. The final short, "Putting Fires Out," offered an in-depth look at the laughter and pain even ordinary situations can present for someone with a disability - in musical form. The connection to 911 was looser than in the other parts, but led by Dawn Cieszynski's Pollyanna-ish teacher Lucy and Christie Stadele's gripey Bridget, the cast delivered a verisimilitude that compensated.
He did the same in the next piece, "Creative Fact-Finding," where the staff running an Art for Every Body class struggled to maintain order while trying to uncover the cause of a student's mysterious injuries. Not every story line was entirely clear, but all drew laughs, and the performances were right on. The second piece, "Help Is On the Way," was a mélange of even shorter shorts, in which the cast struggled with absurd touch-tone menus and operators who ranged from ditzy to racist (in a darkly comic way) to murderous (in an even more darkly comic way). Much of 9-1-1!'s humor was similarly self-aware, showcasing the communication problems that can easily arise when an emergency operator, connected only by voice, doesn't realize she or he is dealing with someone with special needs.īut other bits turned the jokes in different directions. In it, Toni (played by Jenny Kopp) led Jacob (Alex Szele) on a farcical chase, as she stole cell phones to call 911, demanding that an ambulance be sent for her, but not exactly specifying the symptoms of the heart attack she was pretending to suffer. The first piece, "9-1-1 and Its Many Uses," caught the audience's attention immediately, opening with a projected video montage of grimly amusing children's drawings and then deftly interspersing live theater with very prettily filmed segments of the story. The 90-minute show, which opened Friday night at the Bartell Theatre, is a collection of four short plays written by the troupe, the bulk of whose members are disabled in various ways. Though it's occasionally unfocused, Encore Studio for the Performing Arts' 9-1-1! is a frequently funny, sometimes poignant examination of how calling the emergency number can be a little - or a lot - different if you have a disability.
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